Não apetece...

S. Miguel, Agosto 2009

As férias estão a acabar. As sinapses foram-se entretanto desligando com o marulhar das ondas, uma a uma, tais luzes das gambiarras manhosas de Natal compradas nas lojas dos chineses. A rede neuronal ficou reduzida ao básico (de modo a assegurar somente os sistemas mínimos de sobrevivência...).

Não apetece fazer nada! Nem arrumar as tralhas das férias, nem organizar os materiais para o novo ano, nem sequer começar a publicar no blog! (Acho que o Adão e a Eva deviam ser assim um bocado para o "distraído" quando se passeavam lá pelo paraíso!).

Toda a gente conhece aquela velha história ... ai, não sei quê, que a gente depois das férias vem com mais energia para trabalhar... para começar de novo... Tretas!

Não apetece fazer nada. Deixem-nos descansar!

Acerca das minhas férias? Tenham paciência, dá muito trabalho...

Férias: um resumo...

Prontos, boltei!
E vou aqui deixar um resumo das minhas férias:
- Vi uma peça de teatro com o Paulo Pires: O Deus da Matança, de Yasmine Reza, no Teatro Aberto.
- Vi outra peça de teatro: A Caravana, no Teatro Meridional (sentado a dois lugares da Ana Zanatti!!!!), ali para os lados do Poço do Bispo.
- Fui à Praia da Rainha, na Costa da Caparica (boas ondas pró bodyboard);
- Fiz (e comi) uma peixeirada (12 sardinhas, 4 carapaus médios e duas douradas) na Praia do Castelo (ainda na Costa) + batata a murro + salada com rúcula + duas garrafas de Muralhas + dois cigarros;
- Comi caracóis e bebi minis no Lavradio - grande petisqueira, a do Caracol do Lima
- Fui visitar o Castelo de Palmela;
- Fomos ao Badoca Park - uma desilusão, longe e caro comó raio!
- Fui cinco vezes a Espanha (Ayamonte, Cartaya, Sevilha...)
- Fui comer uma alheta de corvina ao restaurante mais caro de Santa Luzia (oferecida por um amigo)
- Fomos visitar Alcoutim (piscina do albergue de juventude) com vista para San Lúcar...
- Fomos à Ilha Mágica (uma tradição)
- Fomos ao parque aquático Aquapolis (outra tradição)
- Fomos dançar danças latinas ao BBB em Tavira
- Fomos ver o Up a Tavira
- Fomos comprar jogos para a Nintendo a Tavira
- Comprámos camisolas próprias para o bodyboard
- Fomos ao bar flamenco de Ayamonte (muito divertido)
- Participámos num passeio e seguinte almoçarada de ciclistas em Castro Marim;
- Comemos duas vezes no Sem Espinhas - na praia da Retur (caro, mas com uma localização invejável e um serviço esforçado)
- Fomos ao sapal de Castro Marim (outra tradição) - mas é melhor com o Oscar que sabe tudo sobre as espécies autóctones.
- Fomos ao mercado do peixe e das hortaliças uma dúzia de vezes;
- Fizemos um raid ciclista até à Punta del Mural
- Com outras duas famelgas amigas, fizemos uma jantarada no Chiringuito em Ayamonte e fomos atacados por 500.000 melgas (tempo de recuperação: 4 dias);
- Fomos ao Manta Beach (barato, mas feio) ver um grupo de música cubana e lá estava a Maya, linda Maya!
- Fomos convidados para o aniversário do meu amigo Miguel - o meu alentejano favorito e que depois apanhou a gripe A.
- Oferecemos quatro jantares em casa (dois de fígado de cebolada e dois de quiches);
- Comemos conquilhas até fartar;
- Recebemos visitas de familiares por três vezes;
- Fomos 21 dias à praia;
- Fizemos bodyboard, natação e mergulho;
- Demos um longo passeio de gaivota no mar;
- Comemos cerca de 40 bolas de berlim;
- Fizemos 14 castelos e outras construções de vulto na areia;
- Fizemos provas de atletismo e de beach tennis: algumas terminaram num amuo!
- Joguei ténis e perdi;
- Joguei quatro partidas de golfe e perdi todas (Castro Marim e Quinta do Vale);
- Fomos oito vezes aos insufláveis;
- Comprei um livro de Obama: A Minha Herança
- Li um livro: Sem sangue
- Reli outro: Pela Estrada Fora, de Jack Kerouac
- Vi três filmes: A Praia, com Di Caprio, Lua de Mel, Lua de Fel, de Polanski e Mar Adentro de Aménabar (só este último é verdadeiramente interessante)
- Vi os Mundiais de Atletismo de Berlim pela tele
- Fizemos colares e pulseiras para vender na praia (nunca chegámos a facturar);
- Jantámos um vez na Casa Azul, em Cacela Velha, na açoteia, com velhos amigos
- Fomos à discoteca Lollipop na Praia Verde, onde me perguntaram pela primeira vez se eu estava na guest-list. Quem, eu? Numa lista?
- Aborreci-me uma vez com os miúdos;
- Apanhámos 38 graus às sete da tarde;
- Encomendámos comida indiana uma vez (bom restaurante em S. Bartolomeu)
- Fomos à pracinha em Vila Real, bebemos café no Café Puro e comemos docinhos da Ibérica.
- Com mais 4 amigos, jantámos uma vez no Zé da Serra e comemos passarinhos e outras iguarias (uns vizinhos comensais alentejanos ofereceram-nos as sobremesas das Maltesinhas, de Beja, - das melhores do país).
- Fomos ao Tennis Master Champions em Vale de Lobo e vimos o Stefan Edberg, o Nuno Marques, o Muster, o Leconte, etc. a todos pedimos autógrafos a que mais nada ligámos...
- Disse ao Edberg que ainda me lembrava das finais épicas em Wimbledon, contra o Becker e ele sempre modesto: oh, really, that´s nice, quite a memory, thank you!
- Revi por acaso um colega de Faculdade que não via há quase 30 anos: o Zé Maria Burnay! E derretemos logo ali umas cervejas à conversa!
- Um amigo meu convidou-me para uma sardinhada onde comi o peixe mais fresco da minha vida;
- Fizemos mais amigos: o Nuno Vicente, a Sofia, o António e o Manuel (são alentejanos, de Évora)
- Descobri três grandes sobremesas no Mini-Preço (padaria com produção própria): pão-de-ló, semi-frio de morango e brigadeiro.
- Fizemos dois piqueniques junto à praia de Montegordo;
- Dei um passeio a cavalo de três horas, com paragem no parque de meredas em Montegordo;
- Fomos jantar a Cartaya (outra tradição)
- Fizemos um cross de meia hora e quatro quilómetro pela mata, com mergulho final na praia dos Três Pauzinhos, pelas nove e meia da noite.
- Visitámos uns amigos alentejanos em Santa Rita (grande casa, com piscina e pomar)
- Fomos aos dias medievais de Castro Marim comprar espadas, vestimentas e outras tralhas; ofereceram-nos as bebidas no bar Campesino, dentro do castelo, revi um primo meu.
- Bebi uma dezena de Quinta de Gomariz, branco e rosé, bem fresquinhas, todas;
- Fumei cerca de 40 cigarros e mamei para cima de cem cervejas, todas fresquinhas.
- Desisti a meio da competição de whisky com os alentejanos
- Fui convidado para mais dois jantares nas Aroucas (Castro Marim)
- Fiz dois serões muito interessantes à conversa com dois dos meus amigos mais antigos;
- Ouvimos velhos clássicos de jazz escolhidos pelo José Duarte;
- E mais meia dúzia de coisas.
- Gastámos mais de quatro mil Euros (nem sei como!)
- E agora voltei com aquela leve nostalgia do dolce fare niente...

Bach

A minha primeira lista.


O registo das obras de Bach foi elaborado por Wolfgang Schmieder e é conhecido pelas siglas "BWV", que significam Bach Werke Verzeichnis ('Catálogo de Obras de Bach')


Cantatas (1–224)
BWV 1 — Wie schön leuchtet der Morgenstern
BWV 2 — Ach Gott, vom Himmel sieh darein
BWV 3 — Ach Gott, wie manches Herzeleid (I)
BWV 4 — Christ lag in Todesbanden
BWV 5 — Wo soll ich fliehen hin
BWV 6 — Bleib bei uns, denn es will Abend werden
BWV 7 — Christ unser Herr zum Jordan kam
BWV 8 — Liebster Gott, wenn werd ich sterben?
BWV 9 — Es ist das Heil uns kommen her
BWV 10 — Meine Seel erhebt den Herren
BWV 11 — Lobet Gott in seinen Reichen (Himmelfahrts-Oratorium (Ascension Oratorio))
BWV 12 — Weinen, Klagen, Sorgen, Zagen
BWV 13 — Meine Seufzer, meine Tränen
BWV 14 — Wär Gott nicht mit uns diese Zeit
BWV 15 — Denn du wirst meine Seele nicht in der Hölle lassen (spurious: actually by Johann Ludwig Bach)
BWV 16 — Herr Gott, dich loben wir
BWV 17 — Wer Dank opfert, der preiset mich
BWV 18 — Gleichwie der Regen und Schnee vom Himmel fällt
BWV 19 — Es erhub sich ein Streit
BWV 20 — O Ewigkeit, du Donnerwort (I)
BWV 21 — Ich hatte viel Bekümmernis
BWV 22 — Jesus nahm zu sich die Zwölfe
BWV 23 — Du wahrer Gott und Davids Sohn
BWV 24 — Ein ungefärbt Gemüte
BWV 25 — Es ist nichts Gesundes an meinem Leibe
BWV 26 — Ach wie flüchtig, ach wie nichtig
BWV 27 — Wer weiß, wie nahe mir mein Ende
BWV 28 — Gottlob! nun geht das Jahr zu Ende
BWV 29 — Wir danken dir, Gott, wir danken dir
BWV 30 — Freue dich, erlöste Schar
BWV 30a — Angenehmes Wiederau secular
BWV 31 — Der Himmel lacht! Die Erde jubilieret
BWV 32 — Liebster Jesu, mein Verlangen
BWV 33 — Allein zu dir, Herr Jesu Christ
BWV 34 — O ewiges Feuer, o Ursprung der Liebe
BWV 34a — O ewiges Feuer, o Ursprung der Liebe (BWV 34a) secular
BWV 35 — Geist und Seele wird verwirret
BWV 36 — Schwingt freudig euch empor
BWV 36a — Steigt freudig in die Luft (lost) secular
BWV 36b — Die Freude reget sich secular
BWV 36c — Schwingt freudig euch empor secular
BWV 37 — Wer da gläubet und getauft wird
BWV 38 — Aus tiefer Not schrei ich zu dir
BWV 39 — Brich dem Hungrigen dein Brot
BWV 40 — Dazu ist erschienen der Sohn Gottes
BWV 41 — Jesu, nun sei gepreiset
BWV 42 — Am Abend aber desselbigen Sabbats
BWV 43 — Gott fähret auf mit Jauchzen
BWV 44 — Sie werden euch in den Bann tun (I)
BWV 45 — Es ist dir gesagt, Mensch, was gut ist
BWV 46 — Schauet doch und sehet, ob irgend ein Schmerz sei
BWV 47 — Wer sich selbst erhöhet, der soll erniedriget werden
BWV 48 — Ich elender Mensch, wer wird mich erlösen
BWV 49 — Ich geh und suche mit Verlangen
BWV 50 — Nun ist das Heil und die Kraft
BWV 51 — Jauchzet Gott in allen Landen
BWV 52 — Falsche Welt, dir trau ich nicht
BWV 53 — Schlage doch, gewünschte Stunde (spurious: possibly by Georg Melchior Hoffmann)
BWV 54 — Widerstehe doch der Sünde
BWV 55 — Ich armer Mensch, ich Sündenknecht
BWV 56 — Ich will den Kreuzstab gerne tragen
BWV 57 — Selig ist der Mann (Lehms)
BWV 58 — Ach Gott, wie manches Herzeleid (II)
BWV 59 — Wer mich liebet, der wird mein Wort halten (I)
BWV 60 — O Ewigkeit, du Donnerwort (II)
BWV 61 — Nun komm, der Heiden Heiland (I)
BWV 62 — Nun komm, der Heiden Heiland (II)
BWV 63 — Christen, ätzet diesen Tag
BWV 64 — Sehet, welch eine Liebe hat uns der Vater erzeiget
BWV 65 — Sie werden aus Saba alle kommen
BWV 66 — Erfreut euch, ihr Herzen
BWV 66a — Der Himmel dacht auf Anhalts Ruhm und Glück (lost)
BWV 67 — Halt im Gedächtnis Jesum Christ
BWV 68 — Also hat Gott die Welt geliebt
BWV 69 — Lobe den Herrn, meine Seele (I)
BWV 69a — Lobe den Herrn, meine Seele (I)
BWV 70 — Wachet! betet! betet! wachet!
BWV 70a — Wachet! betet! betet! wachet!
BWV 71 — Gott ist mein König
BWV 72 — Alles nur nach Gottes Willen
BWV 73 — Herr, wie du willt, so schicks mit mir
BWV 74 — Wer mich liebet, der wird mein Wort halten (II)
BWV 75 — Die Elenden sollen essen
BWV 76 — Die Himmel erzählen die Ehre Gottes
BWV 77 — Du sollt Gott, deinen Herren, lieben
BWV 78 — Jesu, der du meine Seele
BWV 79 — Gott der Herr ist Sonn und Schild
BWV 80 — Ein feste Burg ist unser Gott
BWV 80a — Alles, was von Gott geboren
BWV 80b — Ein feste Burg ist unser Gott
BWV 81 — Jesus schläft, was soll ich hoffen?
BWV 82 — Ich habe genug
BWV 83 — Erfreute Zeit im neuen Bunde
BWV 84 — Ich bin vergnügt mit meinem Glücke
BWV 85 — Ich bin ein guter Hirt
BWV 86 — Wahrlich, wahrlich, ich sage euch
BWV 87 — Bisher habt ihr nichts gebeten in meinem Namen
BWV 88 — Siehe, ich will viel Fischer aussenden
BWV 89 — Was soll ich aus dir machen, Ephraim
BWV 90 — Es reißet euch ein schrecklich Ende
BWV 91 — Gelobet seist du, Jesu Christ
BWV 92 — Ich hab in Gottes Herz und Sinn
BWV 93 — Wer nur den lieben Gott läßt walten
BWV 94 — Was frag ich nach der Welt
BWV 95 — Christus, der ist mein Leben
BWV 96 — Herr Christ, der einge Gottessohn
BWV 97 — In allen meinen Taten
BWV 98 — Was Gott tut, das ist wohlgetan (I)
BWV 99 — Was Gott tut, das ist wohlgetan (II)
BWV 100 — Was Gott tut, das ist wohlgetan (III)
BWV 101 — Nimm von uns, Herr, du treuer Gott
BWV 102 — Herr, deine Augen sehen nach dem Glauben
BWV 103 — Ihr werdet weinen und heulen
BWV 104 — Du Hirte Israel, höre
BWV 105 — Herr, gehe nicht ins Gericht mit deinem Knecht
BWV 106 — Gottes Zeit ist die allerbeste Zeit (Actus Tragicus)
BWV 107 — Was willst du dich betrüben
BWV 108 — Es ist euch gut, daß ich hingehe
BWV 109 — Ich glaube, lieber Herr, hilf meinem Unglauben
BWV 110 — Unser Mund sei voll Lachens
BWV 111 — Was mein Gott will, das g'scheh allzeit
BWV 112 — Der Herr ist mein getreuer Hirt
BWV 113 — Herr Jesu Christ, du höchstes Gut
BWV 114 — Ach, lieben Christen, seid getrost
BWV 115 — Mache dich, mein Geist, bereit
BWV 116 — Du Friedenfürst, Herr Jesu Christ
BWV 117 — Sei Lob und Ehr dem höchsten Gut
BWV 118 — O Jesu Christ, meins Lebens Licht
BWV 118b — O Jesu Christ, meins Lebens Licht (2nd version)
BWV 119 — Preise, Jerusalem, den Herrn
BWV 120 — Gott, man lobet dich in der Stille
BWV 120a — Herr Gott, Beherrscher aller Dinge
BWV 120b — Gott, man lobet dich in der Stille
BWV 121 — Christum wir sollen loben schon
BWV 122 — Das neugeborne Kindelein
BWV 123 — Liebster Immanuel, Herzog der Frommen
BWV 124 — Meinen Jesum laß ich nicht
BWV 125 — Mit Fried und Freud ich fahr dahin
BWV 126 — Erhalt uns, Herr, bei deinem Wort
BWV 127 — Herr Jesu Christ, wahr' Mensch und Gott
BWV 128 — Auf Christi Himmelfahrt allein
BWV 129 — Gelobet sei der Herr, mein Gott
BWV 130 — Herr Gott, dich loben alle wir
BWV 131 — Aus der Tiefen rufe ich, Herr, zu dir
BWV 131a — Aus der Tiefen rufe ich, Herr, zu dir
BWV 132 — Bereitet die Wege, bereitet die Bahn
BWV 133 — Ich freue mich in dir
BWV 134 — Ein Herz, das seinen Jesum lebend weiß
BWV 134a — Die Zeit, die Tag und Jahre macht secular
BWV 135 — Ach Herr, mich armen Sünder
BWV 136 — Erforsche mich, Gott, und erfahre mein Herz
BWV 137 — Lobe den Herren, den mächtigen König der Ehren
BWV 138 — Warum betrübst du dich, mein Herz
BWV 139 — Wohl dem, der sich auf seinen Gott
BWV 140 — Wachet auf, ruft uns die Stimme
BWV 141 — Das ist je gewißlich wahr (spurious: actually by Georg Philipp Telemann)
BWV 142 — Uns ist ein Kind geboren (spurious: possibly by Johann Kuhnau)
BWV 143 — Lobe den Herrn, meine Seele (II) (doubtful: possibly not by J. S. Bach)
BWV 144 — Nimm, was dein ist, und gehe hin
BWV 145 — Ich lebe, mein Herze, zu deinem Ergötzen
BWV 146 — Wir müssen durch viel Trübsal
BWV 147 — Herz und Mund und Tat und Leben
BWV 147a — Herz und Mund und Tat und Leben
BWV 148 — Bringet dem Herrn Ehre seines Namens
BWV 149 — Man singet mit Freuden vom Sieg
BWV 150 — Nach dir, Herr, verlanget mich
BWV 151 — Süßer Trost, mein Jesus kömmt
BWV 152 — Tritt auf die Glaubensbahn
BWV 153 — Schau, lieber Gott, wie meine Feind
BWV 154 — Mein liebster Jesus ist verloren
BWV 155 — Mein Gott, wie lang, ach lange
BWV 156 — Ich steh mit einem Fuß im Grabe
BWV 157 — Ich lasse dich nicht, du segnest mich denn
BWV 158 — Der Friede sei mit dir
BWV 159 — Sehet, wir gehn hinauf gen Jerusalem
BWV 160 — Ich weiß, daß mein Erlöser lebt (spurious: actually by Georg Philipp Telemann)
BWV 161 — Komm, du süße Todesstunde
BWV 162 — Ach! ich sehe, itzt, da ich zur Hochzeit gehe
BWV 163 — Nur jedem das Seine
BWV 164 — Ihr, die ihr euch von Christo nennet
BWV 165 — O heilges Geist- und Wasserbad
BWV 166 — Wo gehest du hin?
BWV 167 — Ihr Menschen, rühmet Gottes Liebe
BWV 168 — Tue Rechnung! Donnerwort
BWV 169 — Gott soll allein mein Herze haben
BWV 170 — Vergnügte Ruh, beliebte Seelenlust
BWV 171 — Gott, wie dein Name, so ist auch dein Ruhm
BWV 172 — Erschallet, ihr Lieder, erklinget, ihr Saiten
BWV 173 — Erhöhtes Fleisch und Blut
BWV 173a — Durchlauchtster Leopold secular
BWV 174 — Ich liebe den Höchsten von ganzem Gemüte
BWV 175 — Er rufet seinen Schafen mit Namen
BWV 176 — Es ist ein trotzig und verzagt Ding
BWV 177 — Ich ruf zu dir, Herr Jesu Christ
BWV 178 — Wo Gott der Herr nicht bei uns hält
BWV 179 — Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei
BWV 180 — Schmücke dich, o liebe Seele
BWV 181 — Leichtgesinnte Flattergeister
BWV 182 — Himmelskönig, sei willkommen
BWV 183 — Sie werden euch in den Bann tun (II)
BWV 184 — Erwünschtes Freudenlicht
BWV 185 — Barmherziges Herze der ewigen Liebe
BWV 186 — Ärgre dich, o Seele, nicht
BWV 187 — Es wartet alles auf dich
BWV 188 — Ich habe meine Zuversicht
BWV 189 — Meine Seele rühmt und priest (spurious: probably by Georg Melchior Hoffmann)
BWV 190 — Singet dem Herrn ein neues Lied
BWV 190a — Singet dem Herrn ein neues Lied (lost)
BWV 191 — Gloria in excelsis Deo
BWV 192 — Nun danket alle Gott
BWV 193 — Ihr Tore zu Zion
BWV 193a — Ihr Häuser des Himmels (lost) secular
BWV 194 — Höchsterwünschtes Freudenfest
BWV 195 — Dem Gerechten muß das Licht
BWV 196 — Der Herr denket an uns
BWV 197 — Gott ist unsre Zuversicht
BWV 197a — Ehre sei Gott in der Höhe
BWV 198 — Laß, Fürstin, laß noch einen Strahl (Trauerode) secular
BWV 199 — Mein Herze schwimmt im Blut
BWV 200 — Bekennen will ich seinen Namen
BWV 201 — Geschwinde, ihr wirbelnden Winde (The Contest Between Phoebus and Pan) secular
BWV 202 — Weichet nur, betrübte Schatten secular
BWV 203 — Amore traditore secular
BWV 204 — Ich bin in mir vergnügt secular
BWV 205 — Zerreißet, zersprenget, zertrümmert die Gruft secular
BWV 205a — Blast Lärmen, ihr Feinde secular
BWV 206 — Schleicht, spielende Wellen secular
BWV 207 — Vereinigte Zwietracht der wechselnden Saiten secular
BWV 207a — Auf, schmetternde Töne secular
BWV 208 — Was mir behagt, ist nur die muntre Jagd (Hunting Cantata) secular
BWV 208a — Was mir behagt, ist nur die muntre Jagd secular
BWV 209 — Non sa che sia dolore secular
BWV 210 — O holder Tag, erwünschte Zeit secular
BWV 210a — O angenehme Melodei secular
BWV 211 — Schweigt stille, plaudert nicht (Coffee Cantata) secular
BWV 212 — Mer hahn en neue Oberkeet (Peasant Cantata) secular
BWV 213 — Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) secular
BWV 214 — Tönet, ihr Pauken! Erschallet, Trompeten! secular
BWV 215 — Preise dein Glücke, gesegnetes Sachsen secular
BWV 216 — Vergnügte Pleißenstadt (incomplete) secular
BWV 216a — Erwählte Pleißenstadt (lost) secular
BWV 217 — Gedenke, Herr, wie es uns gehet (spurious)
BWV 218 — Gott der Hoffnung erfülle euch (spurious: by Georg Philipp Telemann)
BWV 219 — Siehe, es hat überwunden der Löwe (spurious: by Georg Philipp Telemann)
BWV 220 — Lobt ihn mit Herz und Munde (spurious)
BWV 221 — Wer sucht die Pracht, wer wünscht den Glanz (spurious)
BWV 222 — Mein Odem ist schwach (spurious: actually by Johann Ernst Bach)
BWV 223 — Meine Seele soll Gott loben (spurious)
BWV 224 — Reißt euch los, bedrängte Sinnen (small fragment) (spurious)
BWV 244a — Klagt, Kinder, klagt es aller Welt
BWV 248a — (text unknown)
BWV 249 — Kommet, eilet und laufet Easter Oratorio
BWV 1083 — Tilge, Höchster, meine Sünden (arrangement of Giovanni Battista Pergolesi's Stabat Mater)
BWV 1127 — Alles mit Gott und nichts ohn’ ihn
BWV Anh. 3 — Gott, gib dein Gerichte dem Könige
BWV Anh. 5 — Lobet den Herrn, alle seine Heerscharen
BWV Anh. 9 — Entfernet euch, ihr heitern Sterne


Motets (225–231)
BWV 225 — Singet dem Herrn ein neues Lied
BWV 226 — Der Geist hilft unser Schwachheit auf
BWV 227 — Jesu, meine Freude
BWV 228 — Fürchte dich nicht
BWV 229 — Komm, Jesu, komm!
BWV 230 — Lobet den Herrn alle Heiden (Psalm 117)
BWV 231 — Sei Lob und Preis mit Ehren (spurious; actually part of an incomplete cantata or motet by Telemann)


Liturgical works in Latin (232–243a)
BWV 232 — Mass in B minor
BWV 233 — Mass in F major
BWV 233a — Kyrie in F major (alternative version of Kyrie from BWV 233)
BWV 234 — Mass in A major
BWV 235 — Mass in G minor
BWV 236 — Mass in G major
BWV 237 — Sanctus in C major
BWV 238 — Sanctus in D major
BWV 239 — Sanctus in D minor
BWV 240 — Sanctus in G major
BWV 241 — Sanctus in D major (arrangement of Sanctus from Johann Kaspar Kerll's Missa superba)
BWV 242 — Christe Eleison in G minor
BWV 243 — Magnificat in D major
BWV 243a — Magnificat in E-flat major (earlier version of BWV 243)


Passions and oratorios (244–249)
BWV 244 — St. Matthew Passion (Matthäus-Passion)
BWV 244a — Klagt, Kinder, klagt es aller Welt (Trauerkantate (funeral cantata) for Prince Leopold of Anhalt-Köthen)
BWV 244b — Matthäus-Passion (earlier version)
BWV 245 — St. John Passion (Johannes-Passion)
BWV 245a — Himmel reisse, Welt erbebe (aria from the 2nd version of the St. John Passion)
BWV 245b — Zerschmettert mich, ihr Felsen und ihr Hügel (aria from the 2nd version of the St. John Passion)
BWV 245c — Ach, windet euch nicht so, geplagte Seelen (aria from the 2nd version of the St. John Passion)
BWV 246 — St. Luke Passion (Lukas-Passion) (spurious, author unknown)
BWV 247 — St. Mark Passion (Markus-Passion) (libretto is extant, but much of the music lost)
BWV 248 — Christmas Oratorio (Weihnachts-Oratorium)
BWV 249 — Easter Oratorio (Oster-Oratorium)


Secular cantatas (249–249)
BWV 249a — Entfliehet, verschwindet, entweichet, ihr Sorgen
BWV 249b — Verjaget, zerstreuet, zerrüttet, ihr Sterne


Chorales (250–438)
See List of chorales of Johann Sebastian Bach


Songs and arias (439–518)
BWV 439 — Ach, dass nicht die letzte Stunde
BWV 440 — Auf, auf! die rechte Zeit ist hier
BWV 441 — Auf! auf! mein Herz, mit Freuden
BWV 442 — Beglückter Stand getreuer Seelen
BWV 443 — Beschraenkt, ihr Weisen dieser Welt
BWV 444 — Brich entzwei, mein armes Herze
BWV 445 — Brunnquell aller Gueter
BWV 446 — Der lieben Sonnen Licht und Pracht
BWV 447 — Der Tag ist hin, die Sonne gehet nieder
BWV 448 — Der Tag mit seinem Lichte
BWV 449 — Dich bet'ich an, mein hoechster Gott
BWV 450 — Die bittre Leidenszeit beginnet abermal
BWV 451 — Die goldne Sonne, voll Freud' und Wonne
BWV 452 — Dir, dir Jehovah, will ich singen
BWV 453 — Eins ist Not! ach Herr, dies Eine
BWV 454 — Ermuntre dich, mein schwacher Geist
BWV 455 — Erwuergtes Lamm, das die verwahrten Siegel
BWV 456 — Es glaenzet der Christen
BWV 457 — Es ist nun aus mit meinem Leben
BWV 458 — Es ist vollbracht! vergiss ja nicht
BWV 459 — Es kostet viel, ein Christ zu sein
BWV 460 — Gib dich zufrieden und sei stille
BWV 461 — Gott lebet noch; Seele, was verzagst du doch?
BWV 462 — Gott, wie gross ist deine Guete
BWV 463 — Herr, nicht schicke deine Rache
BWV 464 — Ich bin ja, Herr, in deiner Macht
BWV 465 — Ich freue mich in dir
BWV 466 — Ich halte treulich still und liebe
BWV 467 — Ich lass' dich nicht
BWV 468 — Ich liebe Jesum alle Stund'
BWV 469 — Ich steh' an deiner Krippen hier
BWV 470 — Jesu, Jesu, du bist mein
BWV 471 — Jesu, deine Liebeswunden
BWV 472 — Jesu, meines Glaubens Zier
BWV 473 — Jesu, meines Herzens Freud
BWV 474 — Jesus ist das schoenste Licht
BWV 475 — Jesus, unser Trost und Leben
BWV 476 — Ihr Gestirn', ihr hohen Lufte
BWV 477 — Kein Stuendlein geht dahin
BWV 478 — Komm, suesser Tod, komm, sel'ge Ruh!
BWV 479 — Kommt, Seelen, dieser Tag
BWV 480 — Kommt wieder aus der finstern Gruft
BWV 481 — Lasset uns mit Jesu ziehen
BWV 482 — Liebes Herz, bedenke doch
BWV 483 — Liebster Gott, wann werd' ich sterben?
BWV 484 — Liebster Herr Jesu! wo bleibest du so lange?
BWV 485 — Liebster Immanuel, Herzog der Frommen
BWV 486 — Mein Jesu, dem die Seraphinen
BWV 487 — Mein Jesu! was fuer Seelenweh
BWV 488 — Meines Lebens letzte Zeit
BWV 489 — Nicht so traurig, nicht so sehr
BWV 490 — Nur mein Jesus ist mein Leben
BWV 491 — O du Liebe meiner Liebe
BWV 492 — O finstre Nacht
BWV 493 — O Jesulein Suess, o Jesulein mild
BWV 494 — O liebe Seele, zieh' die Sinnen
BWV 495 — O wie selig seid ihr doch, ihr Frommen
BWV 496 — Seelen-Bräutigam, Jesu, Gottes Lamm!
BWV 497 — Seelenweide, meine Freude
BWV 498 — Selig, wer an Jesum denkt
BWV 499 — Sei gegruesset, Jesu guetig
BWV 500 — So gehst du nun, mein Jesu, hin
BWV 501 — So giebst du nun, mein Jesu, gute Nacht
BWV 502 — So wuensch' ich mir zu guter Letzt
BWV 503 — Steh' ich bei meinem Gott
BWV 504 — Vergiss mein nicht, dass ich dein nicht
BWV 505 — Vergiss mein nicht, vergiss mein nicht
BWV 506 — Was bist du doch, o Seele, so betruebet
BWV 507 — Wo ist mein Schaeflein, das ich liebe
BWV 508 — Bist du bei mir — the melody is by Gottfried Heinrich Stölzel.
BWV 509 — Gedenke doch, mein Geist, aria
BWV 510 — Gib dich zufrieden, chorale
BWV 511 — Gib dich zufrieden, chorale
BWV 512 — Gib dich zufrieden, chorale
BWV 513 — O Ewigkeit, du Donnerwort, chorale
BWV 514 — Schaffs mit mir, Gott, chorale
BWV 515 — So oft ich meine Tobackspfeife, aria
BWV 515a — So oft ich meine Tobackspfeife
BWV 516 — Warum betruebst du dich, aria
BWV 517 — Wie wohl ist mir, o Freund der Seelen
BWV 518 — Willst du dein Herz mir schenken


Songs (519–523)
BWV 519 — Hier lieg' ich nun
BWV 520 — Das walt' mein Gott
BWV 521 — Gott mein Herz dir Dank
BWV 522 — Meine Seele, lass es gehen
BWV 523 — Ich gnüge mich an meinem Stande


Quodlibet (524)
BWV 524 — Wedding Quodlibet


Works for organ
Trio sonatas for organ (525–530)
BWV 525 — Trio sonata in E-flat major
BWV 526 — Trio sonata in C minor
BWV 527 — Trio sonata in D minor
BWV 528 — Trio sonata in E minor
BWV 528a — Andante in D minor (alternative version of movement 2 from BWV 528)
BWV 529 — Trio sonata in C major
BWV 530 — Trio sonata in G major


Preludes and Fugues, Toccatas and Fugues, Fantasias and Fugues, and Passacaglia and Fugue for organ (531–582)
BWV 531 — Prelude and Fugue in C major
BWV 532 — Prelude and Fugue in D major
BWV 532a — Fugue in D major (alternative version of the fugue of BWV 532)
BWV 533 — Prelude and Fugue in E minor
BWV 534 — Prelude and Fugue in F minor
BWV 535 — Prelude and Fugue in G minor
BWV 535a — Prelude and Fugue in G minor (alternative version of BWV 535)
BWV 536 — Prelude and Fugue in A major
BWV 536a — Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript[1])
BWV 537 — Fantasia and Fugue in C minor
BWV 538 — Toccata and Fugue in D minor ("Dorian")
BWV 539 — Prelude and Fugue in D minor
BWV 539a — Fugue in D minor (see BWV 1000 for the lute arrangement, movement 2 of BWV 1001 for the violin arrangement)
BWV 540 — Toccata and Fugue in F major
BWV 541 — Prelude and Fugue in G major
BWV 542 — Fantasia and Fugue "Great" in G minor
BWV 542a — Fugue in G minor (alternative version of the fugue from BWV 542)
BWV 543 — Prelude and Fugue in A minor
BWV 544 — Prelude and Fugue in B minor
BWV 545 — Prelude and Fugue in C major
BWV 545a — Prelude and Fugue in C major (alternative version of BWV 545)
BWV 545b — Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs)
BWV 546 — Prelude and Fugue in C minor
BWV 547 — Prelude and Fugue in C major
BWV 548 — Prelude and Fugue in E minor "Wedge"
BWV 549 — Prelude and Fugue in C minor
BWV 550 — Prelude and Fugue in G major
BWV 551 — Prelude and Fugue in A minor
BWV 552 — Prelude and Fugue in E-flat major "St. Anne" (published in Clavier-Übung III)
Eight Short Preludes and Fugues (553–560) (spurious, possibly by Johann Tobias Krebs or Johann Caspar Ferdinand Fischer[2])
BWV 553 — Prelude and Fugue in C major
BWV 554 — Prelude and Fugue in D minor
BWV 555 — Prelude and Fugue in E minor
BWV 556 — Prelude and Fugue in F major
BWV 557 — Prelude and Fugue in G major
BWV 558 — Prelude and Fugue in G minor
BWV 559 — Prelude and Fugue in A minor
BWV 560 — Prelude and Fugue in B-flat major
BWV 561 — Fantasia and Fugue in A minor (spurious, possibly by Johann Christian Kittel[3])
BWV 562 — Fantasia and Fugue in C minor (fugue unfinished)
BWV 563 — Fantasia in B minor (Fantasia and Imitatio) (spurious)
BWV 564 — Toccata, Adagio and Fugue in C major
BWV 565 — Toccata and Fugue in D minor (disputed)
BWV 566 — Toccata and Fugue in E major
BWV 566a — Toccata in E major (earlier version of BWV 566)
BWV 567 — Prelude in C major (doubtful, possibly by Johann Ludwig Krebs[4])
BWV 568 — Prelude in G major (doubtful[4])
BWV 569 — Prelude in A minor
BWV 570 — Fantasia in C major
BWV 571 — Fantasia (Concerto) in G major (spurious)
BWV 572 — Fantasia in G major (Pièce d'Orgue)
BWV 573 — Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
BWV 574 — Fugue in C minor (on a theme of Legrenzi)
BWV 574a — Fugue in C minor (alternative version of BWV 574)
BWV 574b — Fugue in C minor (alternative version of BWV 574)
BWV 575 — Fugue in C minor
BWV 576 — Fugue in G major (doubtful[5])
BWV 577 — Fugue in G major à la Gigue (doubtful[6])
BWV 578 — Fugue in G minor "Little"
BWV 579 — Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4)
BWV 580 — Fugue in D major (doubtful[7])
BWV 581 — Fugue in G major (not by Bach, composed by Gottfried August Homilius)
BWV 582 — Passacaglia and Fugue in C minor

Trios and miscellaneous pieces for organ (583–591)
BWV 583 — Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer[8])
BWV 584 — Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria)
BWV 585 — Trio in C minor (spurious, after Johann Friedrich Fasch)
BWV 586 — Trio in G major (spurious, possibly after Georg Philipp Telemann)
BWV 587 — Aria in F major (spurious, after François Couperin)
BWV 588 — Canzona in D minor
BWV 589 — Allabreve in D major
BWV 590 — Pastorella in F major (first movement probably incomplete)
BWV 591 — Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by Johann David Heinichen)

Concerti for organ (592–598)
BWV 592 — Concerto in G major (after a concerto by Duke Johann Ernst)
BWV 592a — Concerto in G major (an arrangement of BWV 592 for harpsichord)
BWV 593 — Concerto in A minor (after Antonio Vivaldi's Concerto Op. 3/8 RV522 for violin)
BWV 594 — Concerto in C major (after Antonio Vivaldi, Concerto Op. 7/5 RV285a 'il grosso mogul' for violin)
BWV 595 — Concerto in C major (after a concerto by Duke Johann Ernst)
BWV 596 — Concerto in D minor (after Antonio Vivaldi, Concerto grosso, Op. 3/11 RV565)
BWV 597 — Concerto in E-flat major (spurious, source unknown)
BWV 598 — Pedalexercitium ("Pedal Exercise") in G minor (improvisations recorded by CPE Bach)

Chorale Preludes I: Orgelbüchlein (Little Organ Book) (599–644)
BWV 599 — Advent — Nun komm, der Heiden Heiland
BWV 600 — Advent — Gott, durch deine Güte (oder: Gottes-Sohn ist kommen)
BWV 601 — Advent — Herr Christ, der ein'ge Gottes-Sohn (oder: Herr Gott, nun sei gepreiset)
BWV 602 — Advent — Lob sei dem allmächtigen Gott
BWV 603 — Christmas — Puer natus in Bethlehem
BWV 604 — Christmas — Gelobet seist du, Jesu Christ
BWV 605 — Christmas — Der Tag, der ist so freudenreich
BWV 606 — Christmas — Vom Himmel hoch, da komm' ich her
BWV 607 — Christmas — Vom Himmel kam der Engel Schar
BWV 608 — Christmas — In dulci jubilo
BWV 609 — Christmas — Lobt Gott, ihr Christen, allzugleich
BWV 610 — Christmas — Jesu, meine Freude
BWV 611 — Christmas — Christum wir sollen loben schon
BWV 612 — Christmas — Wir Christenleut'
BWV 613 — New Year — Helft mir Gottes Güte preisen
BWV 614 — New Year — Das alte Jahr vergangen ist
BWV 615 — New Year — In dir ist Freude
BWV 616 — Epiphany — Mit Fried' und Freud' ich fahr' dahin
BWV 617 — Epiphany — Herr Gott, nun schleuß den Himmel auf
BWV 618 — Lent — O Lamm Gottes, unschuldig
BWV 619 — Lent — Christe, du Lamm Gottes
BWV 620 — Lent — Christus, der uns selig macht
BWV 620a — Lent — Christus, der uns selig macht (ältere Lesart)
BWV 621 — Lent — Da Jesus an dem Kreuze stund
BWV 622 — Lent — O Mensch, bewein dein Sünde groß
BWV 623 — Lent — Wir danken dir, Herr Jesu Christ
BWV 624 — Lent — Hilf Gott, daß mir's gelinge
BWV 625 — Easter — Christ lag in Todesbanden
BWV 626 — Easter — Jesus Christus, unser Heiland
BWV 627 — Easter — Christ ist erstanden
BWV 628 — Easter — Erstanden ist der heil'ge Christ
BWV 629 — Easter — Erschienen ist der herrliche Tag
BWV 630 — Easter — Heut' triumphieret Gottes Sohn
BWV 631 — Pentecost — Komm, Gott Schöpfer, heiliger Geist
BWV 631a — Pentecost — Komm, Gott Schöpfer, heiliger Geist (ältere Lesart)
BWV 632 — Herr Jesu Christ, dich zu uns wend'
BWV 633 — Liebster Jesu, wir sind hier
BWV 634 — Liebster Jesu, wir sind hier (alternative version of BWV 633)
BWV 635 — Dies sind die heil'gen zehn Gebot'
BWV 636 — Vater unser im Himmelreich
BWV 637 — Durch Adams Fall ist ganz verderbt
BWV 638 — Es ist das Heil uns kommen her
BWV 639 — Ich ruf' zu dir, Herr Jesu Christ
BWV 640 — In dich hab' ich gehoffet, Herr
BWV 641 — Wenn wir in höchsten Nöten sein
BWV 642 — Wer nur den lieben Gott läßt walten
BWV 643 — Alle Menschen müssen sterben
BWV 644 — Ach wie nichtig, ach wie flüchtig


Chorale Preludes II: Schübler Chorales (645–650)
BWV 645 — Wachet auf, ruft uns die Stimme
BWV 646 — Wo soll ich fliehen hin (oder: Auf meinen lieben Gott)
BWV 647 — Wer nur den lieben Gott läßt walten
BWV 648 — Meine Seele erhebt den Herren
BWV 649 — Ach, bleib bei uns, Herr Jesu Christ
BWV 650 — Kommst du nun, Jesu, vom Himmel herunter


Chorale Preludes III: "Leipzig" Chorale Preludes ("The Great Eighteen" chorales) (651–668)
BWV 651 — Fantasia super: Komm, Heiliger Geist, Herre Gott
BWV 651a — Fantasia (Präludium) super: Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
BWV 652 — Komm, Heiliger Geist, Herre Gott
BWV 652a — Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
BWV 653 — An Wasserflüssen Babylon
BWV 653a — An Wasserflüssen Babylon alio modo a 4 (ältere, Weimarer Fassung)
BWV 653b — An Wasserflüssen Babylon (Weimarer Urfassung)
BWV 654 — Schmücke dich, o liebe Seele
BWV 654a — Schmücke dich, o liebe Seele (ältere, Weimarer Fassung)
BWV 655 — Trio super: Herr Jesu Christ, dich zu uns wend'
BWV 655a — Trio super: Herr Jesu Christ, dich zu uns wend' (ältere, Weimarer Fassung)
BWV 655b — Herr Jesu Christ, dich zu uns wend'
BWV 655c — Herr Jesu Christ, dich zu uns wend'
BWV 656 — O Lamm Gottes, unschuldig
BWV 656a — O Lamm Gottes, unschuldig (ältere, Weimarer Fassung)
BWV 657 — Nun danket alle Gott (Leuthen Chorale) (ältere Weimarer und Leipziger Fassung)
BWV 658 — Von Gott will ich nicht lassen
BWV 658a — Fantasia super: Von Gott will ich nicht lassen (ältere, Weimarer Fassung)
BWV 659 — Nun komm, der Heiden Heiland
BWV 659a — Fantasia super: Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
BWV 660 — Trio super: Nun komm, der Heiden Heiland
BWV 660a — Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
BWV 660b — Nun komm, der Heiden Heiland
BWV 661 — Nun komm, der Heiden Heiland
BWV 661a — Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
BWV 662 — Allein Gott in der Höh' sei Ehr'
BWV 662a — Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
BWV 663 — Allein Gott in der Höh' sei Ehr'
BWV 663a — Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
BWV 664 — Trio super: Allein Gott in der Höh' sei Ehr'
BWV 664a/b — Trio super: Allein Gott in der Höh' sei Ehr' (ältere Weimarer Fassung/Entwurf)
BWV 665 — Jesus Christus, unser Heiland
BWV 665a — Jesus Christus, unser Heiland (in organo pleno) (ältere, Weimarer Fassung)
BWV 666 — Jesus Christus, unser Heiland (alio modo)
BWV 666a — Jesus Christus, unser Heiland (ältere, Weimarer Fassung)
BWV 667 — Komm, Gott Schöpfer, heiliger Geist
BWV 667a/b — Komm, Gott Schöpfer, heiliger Geist (ältere, Weimarer Fassungen)
BWV 668 — Vor deinen Thron tret' ich (Fragment)
BWV 668a — Wenn wir in höchsten Nöten (Diktatschrift: Fragment)


Chorale Preludes IV: "German Organ Mass", part of Clavier-Übung III (669–689)
BWV 669 — Kyrie (large versions) — Kyrie, Gott Vater in Ewigkeit
BWV 670 — Kyrie (large versions) — Christe, aller Welt Trost
BWV 671 — Kyrie (large versions) — Kyrie, Gott heiliger Geist
BWV 672 — Kyrie (small versions) — Kyrie, Gott Vater in Ewigkeit
BWV 673 — Kyrie (small versions) — Christe, aller Welt Trost
BWV 674 — Kyrie (small versions) — Kyrie, Gott heiliger Geist
BWV 675 — Gloria — Allein Gott in der Höh' sei Ehr' (small version)
BWV 676 — Gloria — Allein Gott in der Höh' sei Ehr' (large version)
BWV 677 — Gloria — Fughetta super: Allein Gott in der Höh' sei Ehr' (small version)
BWV 678 — The Ten Commandments — Dies sind die heil'gen zehn Gebot' (large version)
BWV 679 — The Ten Commandments — Fughetta super: Dies sind die heil'gen zehn Gebot' (small version)
BWV 680 — Credo — Wir glauben all' an einen Gott (large version)
BWV 681 — Credo — Fughetta super: Wir glauben all' an einen Gott (small version)
BWV 682 — The Lord's Prayer — Vater unser im Himmelreich (large version)
BWV 683 — The Lord's Prayer — Vater unser im Himmelreich (small version)
BWV 683a — The Lord's Prayer — Vater unser im Himmelreich (small version, variant of BWV 683)
BWV 684 — The Baptism — Christ, unser Herr, zum Jordan kam (large version)
BWV 685 — The Baptism — Christ, unser Herr, zum Jordan kam (small version) Alio modo
BWV 686 — The Penitence — Aus tiefer Not schrei ich zu dir (large version)
BWV 687 — The Penitence — Aus tiefer Not schrei ich zu dir (small version)
BWV 688 — Communion — Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (large version)
BWV 689 — Communion — Fuga super: Jesus Christus, unser Heiland (small version)


Chorale Preludes V: Kirnberger chorale preludes (690–713)
BWV 690 — Wer nur den lieben Gott läßt walten
BWV 691 — Wer nur den lieben Gott läßt walten
BWV 691a — Wer nur den lieben Gott läßt walten (spurious)
BWV 692 — Ach, Gott und Herr (doubtful, possibly by Johann Gottfried Walther)
BWV 692a — Ach, Gott und Herr (doubtful, possibly by Johann Gottfried Walther)
BWV 693 — Ach, Gott und Herr (doubtful, possibly by Johann Gottfried Walther)
BWV 694 — Wo soll ich fliehen hin
BWV 695 — Christ lag in Todesbanden
BWV 695a — Christ lag in Todesbanden
BWV 696 — Fughetta: Christum wir sollen loben schon
BWV 697 — Fughetta: Gelobet seist du, Jesu Christ
BWV 698 — Fughetta: Herr Christ, der ein'ge Gottes-Sohn
BWV 699 — Fughetta: Nun komm, der Heiden Heiland
BWV 700 — Vom Himmel hoch, da komm' ich her
BWV 701 — Fughetta: Vom Himmel hoch, da komm' ich her
BWV 702 — [Fughetta:] Das Jesulein soll doch mein Trost (doubtful, possibly by Johann Ludwig Krebs[9])
BWV 703 — Fughetta: Gottes-Sohn ist kommen
BWV 704 — Fughetta: Lob sei dem allmächtigen Gott
BWV 705 — Durch Adams Fall ist ganz verderbt
BWV 706 — Liebster Jesu, wir sind hier
BWV 707 — Ich hab' mein' Sach' Gott heimgestellt (doubtful[10])
BWV 708 — Ich hab' mein' Sach' Gott heimgestellt (doubtful[11])
BWV 708a — Ich hab' mein' Sach' Gott heimgestellt (doubtful[11])
BWV 709 — Herr Jesu Christ, dich zu uns wend'
BWV 710 — Wir Christenleut'
BWV 711 — Allein Gott in der Höh' sei Ehr'
BWV 712 — In dich hab' ich gehoffet, Herr
BWV 713 — Fantasia: Jesu, meine Freude
BWV 713a — Fantasia sopra: Jesu, meine Freude


Miscellaneous chorale preludes (714–764)
BWV 714 — Ach Gott und Herr
BWV 715 — Allein Gott in der Höh sei Ehr
BWV 716 — Fuga super Allein Gott in der Höh sei Ehr
BWV 717 — Allein Gott in der Höh sei Ehr'
BWV 718 — Christ lag in Todes banden
BWV 719 — Der Tag, der ist so freudenreich
BWV 720 — Ein feste Burg ist unser Gott
BWV 721 — Erbarm dich mein, o Herre Gott
BWV 722 — Gelobet seist du, Jesu Christ
BWV 723 — Gelobet seist du, Jesu Christ
BWV 724 — Gott, durch deine Güte (Gottes Sohn ist kommen)
BWV 725 — Herr Gott, dich loben wir
BWV 726 — Herr Jesu Christ, dich zu uns wend
BWV 727 — Herzlich tut mich verlangen
BWV 728 — Jesus, meine Zuversicht (from the 1722 Notebook for Anna Magdalena Bach)
BWV 729 — In dulci jubilo
BWV 730 — Liebster Jesu, wir sind hier
BWV 731 — Liebster Jesu, wir sind hier
BWV 732 — Lobt Gott, ihr Christen, allzugleich
BWV 733 — Meine Seele erhebt den Herren (Magnificat)
BWV 734 — Nun freut euch, lieben Christen/Es ist gewisslich an der Zeit
BWV 735 — Valet will ich dir geben
BWV 736 — Valet will ich dir geben
BWV 737 — Vater unser im Himmelreich
BWV 738 — Von Himmel hoch, da komm' ich her
BWV 738a — Von Himmel hoch, da komm' ich her
BWV 739 — Wie schön leuchtet der Morgenstern
BWV 740 — Wir glauben all' an einen Gott, Vater (spurious)
BWV 741 — Ach Gott, von Himmel sieh' darein
BWV 742 — Ach Herr, mich armen Sünder
BWV 743 — Ach, was ist doch unser Leben
BWV 744 — Auf meinen lieben Gott (not by Bach, possibly by Johann Tobias Krebs)
BWV 745 — Aus der Tiefe rufe ich (not by Bach, composed by Carl Philipp Emanuel Bach)
BWV 746 — Christ ist erstanden (not by Bach, composed by Johann Caspar Ferdinand Fischer)
BWV 747 — Christus, der uns selig macht
BWV 748 — Gott der Vater wohn' uns bei (not by Bach, composed by Johann Gottfried Walther)
BWV 748a — Gott der Vater wohn' uns bei
BWV 749 — Herr Jesu Christ, dich zu uns wend'
BWV 750 — Herr Jesu Christ, mein's Lebens Licht
BWV 751 — In dulci jubilo
BWV 752 — Jesu, der du meine Seele
BWV 753 — Jesu, meine Freude
BWV 754 — Liebster Jesu, wir sind hier
BWV 755 — Nun freut euch, lieben Christen
BWV 756 — Nun ruhen alle Wälder
BWV 757 — O Herre Gott, dein göttlich's Wort
BWV 758 — O Vater, allmächtiger Gott
BWV 759 — Schmücke dich, o liebe Seele (not by Bach, composed by Gottfried August Homilius)
BWV 760 — Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)
BWV 761 — Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)
BWV 762 — Vater unser im Himmelreich
BWV 763 — Wie schön leuchtet der Morgenstern
BWV 764 — Wie schön leuchtet der Morgernstern

Partitas and chorale variations (765–771)
BWV 765 — Chorale partita "Wir glauben all' an einen Gott" (spurious)
BWV 766 — Chorale partita "Christ, der du bist der helle Tag"
BWV 767 — Chorale partita "O Gott, du frommer Gott"
BWV 768 — Chorale partita "Sei gegrüsset, Jesu gütig"
BWV 769 — Canonic variations on "Vom Himmel hoch, da komm' ich her"
BWV 770 — Chorale variations "Ach, was soll ich Sünder machen" (spurious)
BWV 771 — Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by Andreas Nicolaus Vetter)


Works for harpsichord
Inventions and Sinfonias (772–801)
BWV 772 — Invention No. 1 in C major
BWV 772a — Invention No. 1 in C major (alternative version of BWV 772)
BWV 773 — Invention No. 2 in C minor
BWV 774 — Invention No. 3 in D major
BWV 775 — Invention No. 4 in D minor
BWV 776 — Invention No. 5 in E-flat major
BWV 777 — Invention No. 6 in E major
BWV 778 — Invention No. 7 in E minor
BWV 779 — Invention No. 8 in F major
BWV 780 — Invention No. 9 in F minor
BWV 781 — Invention No. 10 in G major
BWV 782 — Invention No. 11 in G minor
BWV 783 — Invention No. 12 in A major
BWV 784 — Invention No. 13 in A minor
BWV 785 — Invention No. 14 in B-flat major
BWV 786 — Invention No. 15 in B minor
BWV 787 — Sinfonia No. 1 in C major
BWV 788 — Sinfonia No. 2 in C minor
BWV 789 — Sinfonia No. 3 in D major
BWV 790 — Sinfonia No. 4 in D minor
BWV 791 — Sinfonia No. 5 in E-flat major
BWV 792 — Sinfonia No. 6 in E major
BWV 793 — Sinfonia No. 7 in E minor
BWV 794 — Sinfonia No. 8 in F major
BWV 795 — Sinfonia No. 9 in F minor
BWV 796 — Sinfonia No. 10 in G major
BWV 797 — Sinfonia No. 11 in G minor
BWV 798 — Sinfonia No. 12 in A major
BWV 799 — Sinfonia No. 13 in A minor
BWV 800 — Sinfonia No. 14 in B-flat major
BWV 801 — Sinfonia No. 15 in B minor


Four Duets from Clavier-Übung III (802–805)
BWV 802 — Duet in E minor
BWV 803 — Duet in F major
BWV 804 — Duet in G major
BWV 805 — Duet in A minor

English Suites (806–811)
BWV 806 — English Suite No. 1 in A major
BWV 807 — English Suite No. 2 in A minor
BWV 808 — English Suite No. 3 in G minor
BWV 809 — English Suite No. 4 in F major
BWV 810 — English Suite No. 5 in E minor
BWV 811 — English Suite No. 6 in D minor

French Suites (812–817)
BWV 812 — French Suite No. 1 in D minor
BWV 813 — French Suite No. 2 in C minor
BWV 814 — French Suite No. 3 in B minor
BWV 815 — French Suite No. 4 in E-flat major
BWV 815a — French Suite No. 4 in E-flat major (several additional movements)
BWV 816 — French Suite No. 5 in G major
BWV 817 — French Suite No. 6 in E major

Miscellaneous suites (818–824)
BWV 818 — Suite in A minor
BWV 818a — Suite in A minor (alternative version of BWV 818)
BWV 819 — Suite in E-flat major
BWV 819a — Suite in E-flat major (alternative versions of movement 1 from BWV 819)
BWV 820 — Overture (Suite) in F major
BWV 821 — Suite in B flat major
BWV 822 — Suite in G minor
BWV 823 — Suite in F minor
BWV 824 — Suite in A minor

Partitas for keyboard (published as Clavier-Übung I) (825–830)
BWV 825 — Partita No. 1 in B-flat major
BWV 826 — Partita No. 2 in C minor
BWV 827 — Partita No. 3 in A minor
BWV 828 — Partita No. 4 in D major
BWV 829 — Partita No. 5 in G major
BWV 830 — Partita No. 6 in E minor

French Overture, from Clavier-Übung II (831)
BWV 831 — Overture in the French Style, in B minor

Suites and suite movements (832–845)
BWV 832 — Partita in A major
BWV 833 — Prelude and Partita in F major
BWV 834 — Allemande in C minor
BWV 835 — Allemande in A minor
BWV 836 — Allemande in G minor
BWV 837 — Allemande in G minor
BWV 838 — Allemande and Courante in A major
BWV 839 — Sarabande in G minor
BWV 840 — Courante in G major
BWV 841 — Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach)
BWV 842 — Minuet in G minor
BWV 843 — Minuet in G major
BWV 844 — Scherzo in D minor
BWV 844a — Scherzo in D minor (alternative version of BWV 844)
BWV 845 — Gigue in F minor


The Well-Tempered Clavier (846–893)
BWV 846 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 1 in C major
BWV 846a — Prelude and Fugue in C major (alternative version of BWV 846)
BWV 847 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 2 in C minor
BWV 848 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 3 in C-sharp major
BWV 849 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 4 in C-sharp minor
BWV 850 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 5 in D major
BWV 851 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 6 in D minor
BWV 852 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 7 in E-flat major
BWV 853 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 8 in E-Flat minor (The Fugue of this work is actually in D-sharp minor, the enharmonic key of E-flat minor)
BWV 854 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 9 in E major
BWV 855 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 10 in E minor
BWV 855a — Prelude and Fugue in E minor (alternative version of BWV 855)
BWV 856 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 11 in F major
BWV 857 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 12 in F minor
BWV 858 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 13 in F-sharp major
BWV 859 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 14 in F-sharp minor
BWV 860 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 15 in G major
BWV 861 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 16 in G minor
BWV 862 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 17 in A-flat major
BWV 863 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 18 in G-sharp minor
BWV 864 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 19 in A major
BWV 865 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 20 in A minor
BWV 866 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 21 in B-flat major
BWV 867 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 22 in B-flat minor
BWV 868 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 23 in B major
BWV 869 — Well-Tempered Clavier, Book 1: Prelude and Fugue No. 24 in B minor
BWV 870 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 1 in C major
BWV 870a — Prelude and Fugue in C major (alternative version of BWV 870)
BWV 870b — Prelude in C major (alternative version of BWV 870)
BWV 871 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 2 in C minor
BWV 872 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 3 in C-sharp major
BWV 872a — Prelude and Fugue in C-sharp major (alternative version of BWV 872)
BWV 873 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 4 in C-sharp minor
BWV 874 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 5 in D major
BWV 875 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 6 in D minor
BWV 875a — Prelude in D minor (alternative version of BWV 875)
BWV 876 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 7 in E-flat major
BWV 877 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 8 in D-sharp minor
BWV 878 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 9 in E major
BWV 879 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 10 in E minor
BWV 880 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 11 in F major
BWV 881 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 12 in F minor
BWV 882 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 13 in F-sharp major
BWV 883 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 14 in F-sharp minor
BWV 884 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 15 in G major
BWV 885 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 16 in G minor
BWV 886 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 17 in A-flat major
BWV 887 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 18 in G-sharp minor
BWV 888 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 19 in A major
BWV 889 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 20 in A minor
BWV 890 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 21 in B-flat major
BWV 891 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 22 in B-flat minor
BWV 892 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 23 in B major
BWV 893 — Well-Tempered Clavier, Book 2: Prelude and Fugue No. 24 in B minor


Preludes and fugues, toccatas and fantasias (894–923)
BWV 894 — Prelude and Fugue in A minor
BWV 895 — Prelude and Fugue in A minor
BWV 896 — Prelude and Fugue in A major
BWV 897 — Prelude and Fugue in A minor
BWV 898 — Prelude and Fugue in B-flat major on the name B-A-C-H (doubtful)
BWV 899 — Prelude and Fughetta in D minor
BWV 900 — Prelude and Fughetta in E minor
BWV 901 — Prelude and Fughetta in F major
BWV 902 — Prelude and Fughetta in G major
BWV 902a — Prelude in G major (alternative version of BWV 902)
BWV 903 — Chromatic Fantasia and Fugue in D minor
BWV 903a — Chromatic Fantasia in D minor (alternative version of BWV 903)
BWV 904 — Fantasia and Fugue in A minor
BWV 905 — Fantasia and Fugue in D minor
BWV 906 — Fantasia and Fugue in C minor (fugue unfinished)
BWV 907 — Fantasia and Fughetta in B-flat major
BWV 908 — Fantasia and Fughetta in D major
BWV 909 — Concerto and fugue in C minor
BWV 910 — Toccata in F-sharp minor
BWV 911 — Toccata in C minor
BWV 912 — Toccata in D major
BWV 913 — Toccata in D minor
BWV 914 — Toccata in E minor
BWV 915 — Toccata in G minor
BWV 916 — Toccata in G major
BWV 917 — Fantasia in G minor
BWV 918 — Fantasia in C minor
BWV 919 — Fantasia in C minor
BWV 920 — Fantasia in G minor
BWV 921 — Prelude in C minor
BWV 922 — Prelude in A minor
BWV 923 — Prelude in B minor (spurious, possibly by Wilhelm Hieronymus Pachelbel)


Little Preludes from Clavier-Büchlein for Wilhelm Friedemann Bach (924–932)
BWV 924 — Prelude in C major
BWV 924a — Prelude in C major (alternative version of BWV 924)
BWV 925 — Prelude in D major
BWV 926 — Prelude in D minor
BWV 927 — Praeambulum in F major
BWV 928 — Prelude in F major
BWV 929 — Prelude in G minor
BWV 930 — Prelude in G minor
BWV 931 — Prelude in A minor
BWV 932 — Prelude in E minor


Six Little Preludes (933–938)
BWV 933 — Little Prelude in C major
BWV 934 — Little Prelude in C minor
BWV 935 — Little Prelude in D minor
BWV 936 — Little Prelude in D major
BWV 937 — Little Prelude in E major
BWV 938 — Little Prelude in E Minor

Five Preludes from the collection of Johann Peter Kellner (939–943)
BWV 939 — Prelude in C major
BWV 940 — Prelude in D minor
BWV 941 — Prelude in E minor
BWV 942 — Prelude in A minor
BWV 943 — Prelude in C major

Fugues and fughettas (944–962)
BWV 944 — Fugue in A minor
BWV 945 — Fugue in E minor
BWV 946 — Fugue in C major
BWV 947 — Fugue in A minor
BWV 948 — Fugue in D minor
BWV 949 — Fugue in A major
BWV 950 — Fugue in A major on a theme by Tomaso Albinoni
BWV 951 — Fugue in B minor on a theme by Tomaso Albinoni
BWV 951a — Fugue in B minor (alternative version of BWV 951)
BWV 952 — Fugue in C major
BWV 953 — Fugue in C major
BWV 954 — Fugue in B-flat major on a theme by Johann Adam Reincken
BWV 955 — Fugue in B-flat major
BWV 956 — Fugue in E minor
BWV 957 — Fugue in G major
BWV 958 — Fugue in A minor
BWV 959 — Fugue in A minor
BWV 960 — Fugue in E minor
BWV 961 — Fughetta in C minor
BWV 962 — Fughetta in E minor

Sonatas and sonata movements (963–970)
BWV 963 — Sonata in D major
BWV 964 — Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003)
BWV 965 — Sonata in A minor (after Johann Adam Reincken's Hortus Musicus Nos. 1-5)
BWV 966 — Sonata in C major (after Johann Adam Reincken's Hortus Musicus Nos. 11-15)
BWV 967 — Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer)
BWV 968 — Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005)
BWV 969 — Andante in G minor
BWV 970 — Presto in D minor

Italian Concerto, from Clavier-Übung II (971)
BWV 971 — Italian Concerto, in F major

Keyboard arrangements of concerti by other composers (972–987)
BWV 972 — Concerto in D major (arrangement of Antonio Vivaldi's Concerto Op. 3/9 RV230)
BWV 973 — Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/2 RV188)
BWV 974 — Concerto in D minor (arrangement of Alessandro Marcello's Oboe Concerto in D minor)
BWV 975 — Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6 RV316a)
BWV 976 — Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12 RV265)
BWV 977 — Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
BWV 978 — Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3 RV310)
BWV 979 — Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10)
BWV 980 — Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 4/1 RV383a)
BWV 981 — Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
BWV 982 — Concerto in B-flat major (arrangement of Duke Johann Ernst's concerto Op. 1/1)
BWV 983 — Concerto in G minor (source unknown)
BWV 984 — Concerto in C major (arrangement of a Duke Johann Ernst concerto) (see BWV 595 for organ version)
BWV 985 — Concerto in G minor (arrangement of a Georg Philipp Telemann concerto)
BWV 986 — Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann)
BWV 987 — Concerto in D minor (arrangement of Duke Johann Ernst's concerto Op. 1/4)


Variations and miscellaneous pieces for keyboard (988–994)
BWV 988 — Goldberg Variations (published as Clavier-Übung IV)
BWV 989 — Aria variata alla maniera italiana, in A minor
BWV 990 — Sarabande con Partite in C major (loosely adapted from the overture for "Bellérophon" (1679) by Jean-Baptiste Lully)
BWV 991 — Air with variations in C minor (unfinished, from the 1722 Notebook for Anna Magdalena Bach)
BWV 992 — Capriccio sopra la lontananza del suo fratello dilettissimo ("Capriccio on the departure of the Beloved Brother"), in B-flat major
BWV 993 — Capriccio in E major
BWV 994 — Applicatio in C major (From the Clavier-Büchlein for Wilhelm Friedemann Bach)


Works for solo lute (995–1000)
BWV 995 — Suite in G minor (transcription of Cello Suite No. 5, BWV 1011)
BWV 996 — Suite in E minor (most probably intended for lute-harpsichord[12])
BWV 997 — Suite in C minor
BWV 998 — Prelude, Fugue and Allegro in E-flat major
BWV 999 — Prelude in C minor
BWV 1000 — Fugue in G minor



Sonatas and partitas for solo violin (1001–1006)
BWV 1001 — Sonata No. 1 in G minor
BWV 1002 — Partita No. 1 in B minor
BWV 1003 — Sonata No. 2 in A minor
BWV 1004 — Partita No. 2 in D minor
BWV 1005 — Sonata No. 3 in C major
BWV 1006 — Partita No. 3 in E major

Suite for solo lute (1006a)
BWV 1006a — Suite in E major (transcription of Partita No. 3 for solo violin, BWV 1006)

Suites for solo cello (1007–1012)
BWV 1007 — Cello Suite No. 1 in G major
BWV 1008 — Cello Suite No. 2 in D minor
BWV 1009 — Cello Suite No. 3 in C major
BWV 1010 — Cello Suite No. 4 in E-flat major
BWV 1011 — Cello Suite No. 5 in C minor
BWV 1012 — Cello Suite No. 6 in D major

Partita for solo flute (1013)
BWV 1013 — Partita in A minor for solo flute


Works for violin and keyboard instrument (1014–1026)
BWV 1014 — Sonata in B minor for violin and harpsichord
BWV 1015 — Sonata in A major for violin and harpsichord
BWV 1016 — Sonata in E major for violin and harpsichord
BWV 1017 — Sonata in C minor for violin and harpsichord
BWV 1018 — Sonata in F minor for violin and harpsichord
BWV 1018a — Adagio in F minor for violin and harpsichord (early version of movement 3 from BWV 1018)
BWV 1019 — Sonata in G major for violin and harpsichord
BWV 1019a — Sonata in G major for violin and harpsichord (earlier version of BWV 1019)
BWV 1020 — Sonata in G minor for violin (or flute/recorder) and harpsichord (Now attributed to C.P.E. Bach - H 542.5)
BWV 1021 — Sonata in G major for violin and basso continuo
BWV 1022 — Sonata in F major for violin and harpsichord (doubtful)
BWV 1023 — Sonata in E minor for violin and basso continuo
BWV 1024 — Sonata in C minor for violin and basso continuo (doubtful)
BWV 1025 — Suite in A major for violin and harpsichord (after a sonata by Sylvius Leopold Weiss)
BWV 1026 — Fugue in G minor for violin and harpsichord (doubtful)[dubious – discuss]

Sonatas for viola da gamba and keyboard instrument (1027–1029)
BWV 1027 — Sonata No. 1 in G major for viola da gamba and harpsichord (arrangement of BWV 1039)
BWV 1027a — Trio in G major for organ (arrangement of movement 4 from BWV 1027)
BWV 1028 — Sonata No. 2 in D major for viola da gamba and harpsichord
BWV 1029 — Sonata No. 3 in G minor for viola da gamba and harpsichord


Sonatas for flute and keyboard instrument (1030–1035)
BWV 1030 — Sonata in B minor for flute or recorder and harpsichord
BWV 1030b - Sonata in G minor for harpsichord and unknown instrument (oboe or viola da gamba conjectured) - earlier version of BWV 1030 of which only harpsichord part survives
BWV 1031 — Sonata in E-flat major for flute or recorder and harpsichord
BWV 1032 — Sonata in A major for flute or recorder and harpsichord
BWV 1033 — Sonata in C major for flute or recorder and basso continuo
BWV 1034 — Sonata in E minor for flute or recorder and basso continuo
BWV 1035 — Sonata in E major for flute or recorder and basso continuo

Trio sonatas (1036–1040)
BWV 1036 — Sonata in D minor for 2 violins and keyboard (Now attributed to Carl Philipp Emanuel Bach)
BWV 1037 — Sonata in C major for 2 violins and keyboard (Now attributed to Johann Gottlieb Goldberg)
BWV 1038 — Sonata in G major for flute, violin and keyboard
BWV 1039 — Sonata in G major for 2 flutes and basso continuo
BWV 1040 — Sonata in F major for oboe, violin and basso continuo


Concertos and orchestral suites
Violin concertos (1041–1045)
BWV 1041 — Violin Concerto in A minor
BWV 1042 — Violin Concerto in E major
BWV 1043 — Concerto for 2 violins in D minor ("Double Concerto")
BWV 1044 — Concerto for flute, violin and harpsichord in A minor (also known as "Triple Concerto") - adaptation of harpsichord prelude and fugue in A minor BWV 894 (movts. 1 and 3) and middle movement of organ sonata in D minor BWV 527 (movt. 2).
BWV 1045 — Violin Concerto movement in D major
BWV 1056 — Concerto for violin in G minor (BWV 1056 is the concerto for harpsichord in F minor; it has been reconstructed for violin as the possible original instrument)

Brandenburg concertos (1046–1051)
BWV 1046 — Brandenburg Concerto No. 1 in F major for violino piccolo, three oboes, bassoon, two corni da caccia, strings and continuo
BWV 1046a — Sinfonia in F major (earlier version of BWV 1046)
BWV 1047 — Brandenburg Concerto No. 2 in F major for trumpet, oboe, recorder, violin, strings and continuo
BWV 1048 — Brandenburg Concerto No. 3 in G major for three violins, three violas, three cellos and continuo
BWV 1049 — Brandenburg Concerto No. 4 in G major for violin, two fiauti d'echo (recorders), strings and continuo
BWV 1050 — Brandenburg Concerto No. 5 in D major for harpsichord, violin, flute and strings
BWV 1050a — Concerto in D Major for harpsichord, violin, flute and strings (earlier version of BWV 1050)
BWV 1051 — Brandenburg Concerto No. 6 in B-flat major for two violas, two violas da gamba, cello and continuo


Harpsichord concertos (1052–1065)
BWV 1052 — Concerto for harpsichord and strings in D minor (after a lost violin concerto)
BWV 1053 — Concerto for harpsichord and strings in E major (probably after a lost oboe concerto, also performed as "Concerto in F major for oboe, strings, and continuo)
BWV 1054 — Concerto for harpsichord and strings in D major (after BWV 1042, Violin Concerto in E major)
BWV 1055 — Concerto for harpsichord and strings in A major (after a lost oboe d'amore concerto)
BWV 1056 — Concerto for harpsichord and strings in F minor (probably after a lost violin concerto - this is sometimes recorded as Concerto for violin in G Minor)
BWV 1057 — Concerto for harpsichord, 2 recorders and strings in F major (after BWV 1049, Brandenburg concerto No. 4 in G major)
BWV 1058 — Concerto for harpsichord and strings in G minor (after BWV 1041, Violin Concerto in A minor)
BWV 1059 is an incomplete fragment of about 10 bars. So-called 'reconstructions' have been made of harpsichord, organ and oboe concertos based on this by using cantata movements but these are almost entirely speculative.
BWV 1060 — Concerto for 2 harpsichords and strings in C minor (after a lost violin and oboe concerto)
BWV 1061 — Concerto for 2 harpsichords and strings in C major (original version for 2 harpsichords unaccompanied known as BWV 1061a)
BWV 1062 — Concerto for 2 harpsichords and strings in C minor (after BWV 1043, Double Violin Concerto in D minor)
BWV 1063 — Concerto for 3 harpsichords and strings in D minor
BWV 1064 — Concerto for 3 harpsichords and strings in C major (after a lost triple violin concerto)
BWV 1065 — Concerto for 4 harpsichords and strings in A minor (after Antonio Vivaldi's concerto for 4 violins in B minor, L'estro Armonico Op. 3/10, RV 580)


Orchestral suites (1066–1071)
BWV 1066 — Orchestral Suite No. 1 in C major (for woodwinds, strings and continuo)
[Ouverture] (no description, two sections), Courante, Gavotte I & II, Forlane, Menuet I & II, Bourrée I & II, Passepied I & II.
BWV 1067 — Orchestral Suite No. 2 in B minor (for flute, strings and continuo)
[Ouverture] (no description, two sections), Rondeau, Sarabande, Bourrée I & II, Polonaise & Double, Menuet, Badinerie.
BWV 1068 — Orchestral Suite No. 3 in D major (for oboes, trumpets, timpani, strings and continuo)
[Ouverture] (no description, two sections), Air, Gavotte I & II, Bourrée, Gigue.
BWV 1069 — Orchestral Suite No. 4 in D major (for oboes, basson, trumpets, timpani, strings and continuo)
[Ouverture] (no description, two sections), Bourrée I & II, Gavotte, Menuet I & II, Rejouissance.
BWV 1070 — Orchestral Suite in G minor (spurious - WF Bach)
BWV 1071 — Sinfonia in F major (originally grouped with orchestral suites, now known as BWV 1046a)

Canons (1072–1078)
BWV 1072 — Canon trias harmonica a 8
BWV 1073 — Canon a 4 perpetuus
BWV 1074 — Canon a 4
BWV 1075 — Canon a 2 perpetuus
BWV 1076 — Canon triplex a 6
BWV 1077 — Canone doppio sopr'il soggetto
BWV 1078 — Canon super fa mi a 7 post tempus misicum

Late Contrapuntal Works (1079–1080)
BWV 1079 — The Musical Offering (Musikalisches Opfer)
BWV 1080 — The Art of Fugue (Die Kunst der Fuge)


More recent BWV additions
Miscellaneous (BWV 1081–1089)
BWV 1081 — Credo in unum Deum in F-dur (for choir)
BWV 1082 — Suscepit Israel puerum suum (for choir)
BWV 1083 — Tilge, Höchster, meine Sünden (Motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater)
BWV 1084 — O hilf, Christe, Gottes Sohn (chorale)
BWV 1085 — O Lamm Gottes, unschuldig (chorale prelude)
BWV 1086 — Canon concordia discors — organ
BWV 1087 — 14 canons on the First Eight Notes of Goldberg Variations Ground — organ (discovered 1974)
BWV 1088 — So heb ich denn mein Auge sehnlich auf (aria for bass)
BWV 1089 — Da Jesus an dem Kreutze stund (chorale)

Neumeister Chorales (BWV 1090–1120)
Discovered 1985 in the archives of the Yale University library.
BWV 1090 — Wir Christenleut
BWV 1091 — Das alte Jahr vergangen ist
BWV 1092 — Herr Gott, nun schleuß den Himmel auf
BWV 1093 — Herzliebster Jesu, was hast du verbrochen
BWV 1094 — O Jesu, wie ist dein Gestalt
BWV 1095 — O Lamm Gottes unschuldig
BWV 1096 — Christe, der du bist Tag und Licht (also known as "Wir danken dir, Herr Jesu Christ"; doubtful, possibly by Johann Pachelbel[13][14])
BWV 1097 — Ehre sei dir, Christe, der du leidest Not
BWV 1098 — Wir glauben all an einen Gott
BWV 1099 — Aus tiefer Not schrei ich zu dir
BWV 1100 — Allein zu dir, Herr Jesu Christ
BWV 1101 — Durch Adams Fall ist ganz verderbt
BWV 1102 — Du Friedefürst, Herr Jesu Christ
BWV 1103 — Erhalt uns, Herr, bei deinem Wort
BWV 1104 — Wenn dich Unglück tut greifen an
BWV 1105 — Jesu, meine Freude
BWV 1106 — Gott ist mein Heil, mein Hilf und Trost
BWV 1107 — Jesu, meines Lebens Leben
BWV 1108 — Als Jesus Christus in der Nacht
BWV 1109 — Ach Gott, tu dich erbarmen
BWV 1110 — O Herre Gott, dein göttlich Wort
BWV 1111 — Nun lasset uns den Leib begrab'n
BWV 1112 — Christus, der ist mein Leben
BWV 1113 — Ich hab mein Sach Gott heimgestellt
BWV 1114 — Herr Jesu Christ, du höchstes Gut
BWV 1115 — Herzlich lieb hab ich dich, o Herr
BWV 1116 — Was Gott tut, das ist wohlgetan
BWV 1117 — Alle Menschen müssen sterben
BWV 1118 — Werde munter, mein Gemüte
BWV 1119 — Wie nach einer Wasserquelle
BWV 1120 — Christ, der du bist der helle Tag

Various organ works (BWV 1121–1126)
BWV 1121 — Fantasie
BWV 1122 — Denket doch, Ihr Menschenkinder
BWV 1123 — Wo Gott zum Haus nicht gibt sein Gut
BWV 1124 — Ich ruf zu Dir, Herr Jesu Christ
BWV 1125 — O Gott, du frommer Gott
BWV 1126 — Lobet Gott, unsern Herrn

Strophic aria (BWV 1127)
BWV 1127 — Alles mit Gott, und nichts ohn' ihn (newly discovered vocal piece, June 2005)

Organ chorale fantasia (BWV 1128)
BWV 1128 — Wo Gott der Herr nicht bei uns hält (discovered March 2008)

RICAS FÉRIAS...

Primeiro gripe ("normal") agora as minhas hérnias discais de estimação atacaram em força. O que eu queria mesmo era...



...estar numa esplanada à beira-mar (podia ser a do Alex) a ouvir, por exemplo, Ottis Redding.




Fica pró ano.

VERÃO - MUSIQUINHAS A CONDIZER

Feliz Natal ?

Bach, sempre e sempre

J.S.Bach - Nunca é demais.

Se te faltar o fôlego, pede ajuda a um amigo

Caçador caçado

Ao passarmos em Ponte de Lima, há dias, deparámo-nos com um fotógrafo à "La Minute". Lá estava ele, junto a um chafariz, com o seu caixote apoiado num velho tripé e com o cavalinho-de-pau para sentar as crianças e fotografá-las não sem antes dizer: "Olhó passarinho!". É claro que entabulámos conversa com o senhor, um velho resistente que por sinal era bom de conversa. Mostrou-nos com grande orgulho o seu caixote equipado com lentes Zeiss e explicou os procedimentos técnicos necessários à produção das fotografias. Estes magníficos caixotes não só fotografam como são também um pequeno laboratório ambulante onde se revelam e ampliam as fotografias. Fenomenal!
Aproveitou ainda a oportunidade para nos contar uma deliciosa história que se tinha passado com ele momentos antes do nosso encontro: " Chegou-me aqui uma senhora com um menino preto e pediu-me para lhe tirar uma fotografia. Depois de lha entregar a senhora começou a reclamar que a sua cara estava muito escura, que a da menina que eu tinha exposta tinha ficado melhor... Eu, que nem sou racista, respondi-lhe que o menino era mais moreno, não podia ficar igual... mas a senhora insistia, insistia, e às tantas rasguei a fotografia e devolvi-lhe o dinheiro! Isto há cada uma!..."

Evidentemente não poderíamos perder a oportunidade de assinalar este momento com uma ... fotografia! E lá fomos nós sentar-nos no chafariz e posar para o artista!...

Jazz on my Mind

Para ouvir com auscultadores de referência e a um volume elevado.
Calem-se e baixem as luzes.

Raul Solnado: o pai do humor em Portugal

Morreu um português com o coração do tamanho do mundo. Deixará certamente saudade em muitos de nós aquele seu modo meio desajeitado de se expressar, inimitável e empático, carregado de humor e de ternura.

Body and Soul

Corcovado

Porque hoje é Sábado

Bye Bye Blackbird

Herzog

Acabei de ler um livro absolutamente extraordinário que só agora descobri, apesar de já ter sido publicado em 1964 (um ano fantástico devo dizer!) Chama-se Herzog é de Saul Bellow, escritor norte-americano, de origem judaica, prémio Nobel de Literatura em 1976, falecido em 2005. É um dos livros da colecção “Biblioteca Sábado” da revista com o mesmo nome e que me custaram apenas 1 Euro cada um (mais a respectiva revista, claro está). Aconselho vivamente, principalmente a quem tem alguma apetência por temas mais ou menos filosóficos. O personagem principal, Herzog, professor de Filosofia, escreve obsessivamente cartas, uma das quais não resisto a partilhar com vocês e a transcrevê-la aqui. Peço desculpa pelo texto se calhar, demasiado longo para ser publicado no blog mas em tempo de férias uma leitura deste calibre faz sempre bem à mente e ao espírito. E vale a pena!

"Caro Herr Nietzsche – Excelentíssimo senhor. Poderei fazer-lhe uma pergunta cá de baixo? Refere-se ao poder espírito Dionisíaco de suportar a visão do Terrível, do Problemático, de se permitir a luxúria da Destruição, de testemunhar a Decomposição, a Hediondez, o Mal. Tudo isto o espírito Dionisíaco o pode fazer porque aufere da capacidade de restabelecimento da própria Natureza. Algumas destas expressões, permita-me que lho diga, têm uma aura muito germânica. Uma frase como a “luxúria da Destruição” é francamente wagneriana, e eu bem sei por que razão veio a desprezar toda essa idiotice e bombásticos doentios de Wagner. Actualmente, já assistimos a destruições suficientes para pôr amplamente à prova o poder do espírito Dionisíaco, e onde estão os heróis que disso se refizeram? Estou só com a Natureza (ela própria) nos Berkshires, e é esta a minha oportunidade de compreender. Estou deitado numa rede, com o queixo sobre o peito, de dedos entrelaçados, com o espírito atolado em pensamentos, agitado, sim, mas também alegre, e sei que valoriza a alegria – a autêntica alegria, não o aparente optimismo dos epicuristas, nem a flutuabilidade estratégica dos desesperados. Sei igualmente que considera que a dor profunda enobrece, a dor que arde lentamente, como madeira verde, e nisso concordo consigo, em parte. Mas para essa educação superior é necessária a sobrevivência. É preciso resistir à dor. Herzog! Tens de pôr cobro a esta tendência para polémica e conflito com os grandes homens. Não, na verdade, Herr Nietzsche, tenho por si grande admiração. Simpatia. Deseja capacitar-nos para vivermos com o vácuo. Não nos iludindo com as boas intenções, a confiança, com considerações humanas, vulgares e medianas, mas indagando como nunca se indagou, incansavelmente, com férrea determinação, no mal, através do mal, para além do mal, não aceitando qualquer abjecto conforto. As perguntas mais absolutas, mais pertinazes. Rejeitando a humanidade tal como ela é, essa multidão vulgar, prática, salteadora, fedorenta, obscurecida, estúpida, não apenas a multidão dos trabalhadores, mas essa multidão “educada”, ainda pior, com os seus livros e concertos e conferências, o seu liberalismo e os seus “amores” e “paixões” românticos e teatrais – tudo isso merece morrer, e morrerá. Está bem. No entanto, os seus extremistas têm de sobreviver. Sem sobrevivência, não há Amor Fati. Os seus imoralistas também comem carne. Andam de autocarro. Mas são os viajantes que pior se dão com os autocarros. A humanidade vive principalmente de ideias pervertidas. Pervertidas, as suas ideias não são melhores que as do Cristianismo que condena. Qualquer filósofo que deseja manter-se em contacto com a humanidade deveria previamente perverter o seu próprio sistema para ver como será encarado algumas décadas após a adopção. Envio-lhe os melhores cumprimentos deste jardim de luz temporal onde pulula a relva, e desejo-lhe felicidades, onde quer que se encontre. Seu sob o véu de Maya, M. E. H."(erzog)
Saul Bellow in “Herzog”

Smoke Gets In Your Eyes

Travelin' Light

Senhores compositores, músicos e interpretes, por favor, concorram aos festivais da canção apenas com temas de nível pelo menos igual a este.
Por favor.

Deaf Sentence - "A vida em surdina" (Lodge, David)

Tive este livro guardado desde Maio à espera da altura certa para o desfrutar. Sou um amante incondicional da obra de Lodge e este Deaf Sentence é – de facto – magistral.
Divertido e comovente… Um prazer do início ao fim: Lodge está cada vez mais arrojado e mais profundo.

Sinopse
"Quando decide pedir a reforma antecipada, o professor universitário Desmond Bates nunca pensou vir a sentir saudades da azáfama das aulas. A verdade é que a monotonia do dia-a-dia não o satisfaz. Para tal, contribui também o facto de a carreira da sua mulher, Winifred, ir de vento em popa, reduzindo o papel de Desmond ao de mero acompanhante e dono de casa. Mas o que o aborrece verdadeiramente é a sua crescente perda de audição, fonte constante de atrito doméstico e constrangimento social. Desmond apercebe-se de que, na imaginação das pessoas, a surdez é cómica, enquanto a cegueira é trágica, mas para o surdo é tudo menos uma brincadeira. Contudo, vai ser a sua surdez que o levará a envolver-se, inadvertidamente, com uma jovem cujo comportamento imprevisível e irresponsável ameaça desestabilizar por completo a sua vida."

David Lodge é, sem dúvida, um dos escritores da minha vida.

PASSATEMPO (Com prémio!)

(como se não tivessem mais nada que fazer...)



Nesta época do ano têm brotado da relva (é mais erva) do quintal umas criaturas cogumelantes como se mostra de seguida:

PERGUNTA:

QUAL É O NOME DESTA ESPÉCIE (SEGUNDO LINEU) E O SEU GRAU DE PERIGOSIDADE?



PRÉMIO:

UM RAMINHO DESTES COGUMELOS PRESO POR UM FIO DE NYLON PARA PENDURAREM NO RETROVISOR DO AUTOMÓVEL (OU JUNTO AO CÃOZINHO QUE ABANA A CABEÇA OU POR CIMA DA ALMOFADA BORDADA E COM FOLHOS EXUBERANTES)


PRÉMIO ALTERNATIVO:

UM CAFÉ COM CHEIRINHO EM QUALQUER CASA DE PASTO COM SERVIÇO ESMERADO

*** SEX * SEX * SEX ***

Duas anedotas

Anedota
Durante uma entrevista colectiva, a repórter fez a seguinte pergunta aos 3 políticos presentes: Santana Lopes, Cavaco Silva e José Sócrates.
- Meus senhores, se fossem solteiros, com quem gostariam de casar?
Santana Lopes:
- Eu casaria com Soraia Chaves, a mulher mais bonita de Portugal!
Então, um bêbado, lá no fundo, batendo palmas, grita:
- Isso mesmo, casou pela beleza, boa, muito bem!
Cavaco Silva:
- Eu casar-me-ia com a minha actual esposa, pois eu amo-a muito e ela ama-me!
O bêbado, mais uma vez:
- Muito bem, está certo casou por amor, boa! Muito bem!
E então, José Sócrates, demagogo como sempre, deu a sua resposta:
- Eu casaria com Portugal, meu coração pertence ao país!
- Sim senhor, muito bem, isso é que é um homem honrado: fodeu, tem que casar!

Anedota
- A senhora aceita um uísque?
- Não posso. Faz-me mal às pernas...
- As suas pernas incham?
- Não. Abrem-se...!

Don Corleone

Este fica sem comentários: pode trazer-me problemas!

Lista de sinónimos

Uma lista à Kmet N’Ojo

A sociedade feminina lusófona, bem se pode queixar do machismo deveras depreciativo do português, espelhado aqui pela sua gramática ao nível dos sinónimos, em linguagem mais popular.
Alterei os termos dos significados femininos do original, o que fez com que se perdesse o picante da piada mas afinal de contas… isto é um blog familiar!

Cão – melhor amigo do homem;
Cadela – prostituta;
Vagabundo – homem que não trabalha;
Vagabunda – prostituta;
Touro – homem forte;
Vaca – prostituta;
Pistoleiro – homem que mata pessoas;
Pistoleira – prostituta;
Aventureiro – homem que se arrisca, viajante, explorador;
Aventureira – prostituta;
Menino de rua – menino pobre que vive na rua;
Menina de rua – prostituta;
Homem da vida – pessoa letrada pela sabedoria adquirida ao longo da vida;
Mulher da vida – prostituta;
Tiozinho – irmão mais novo do pai;
Tiazinha – prostituta;
Puto – criança, menino;
Puta – prostituta;
Políticos – homens que tratam de politica, estadistas;
As mães deles – (…s).

O nosso cérebro tem coisas curiosas...